Ernie Ball MVP Most Valuable Pedal

Product Information

Placing a volume pedal before dirt pedals is probably my least favorite way to use it, but some players might have a good reason for using it, as it all depends on the context. If this is something that bothers you, you can also consider finding a good active volume pedal, which will not exhibit the same behavior. A great example would be the Lehle Mono Volume Pedal. Micro Taper Switch Although modern effects pedals are mostly capable of noiseless operation, this wasn’t always the case. When manufacturers first began to produce them, guitarists had to contend with electronic hums and buzzes, especially when using multiple pedals in a signal chain. This was due to the inner circuitry of the pedals.

Connecting it this way allows you to maintain your tone’s saturation when lowering your volume, as opposed to what happens when you roll off your guitar’s volume knob. Instead of cleaning up the sound as your volume decreases, you get the same thing at different levels. The MVP Pedal lets you customise the range of the volume swell, most pedals go from 0 to 100% but the MVP allows you to adjust the bottom range to be 0 to 50% and at the top you can add 20db of Gain so instead of 0 to 100 you could now go 50 to 120% Here's what Ernie Ball say about the MVP Volume PedalOne useful addition to the Ernie Ball VP Jr is its tuner out feature. With it, you can connect your tuner pedal directly to the VP Jr, thus removing it from your signal chain and allowing you to have it constantly on. If instead of wanting to hear my delay repetitions and reverb trails when I have the pedal in the heel-down position, I want to have a master volume that I can control with my foot, then I will place the pedal at the very end of my signal chain. Doing this gives me total freedom and control over what is coming out of my amp, including noise from any other pedals in my signal chain.

My Review: Although Fender is best known for their extensive range of high-end instruments and amplifiers, I think one of the best-kept secrets in the industry is that they also produce a selection of respectable pedals. The EXP-1 is their flagship volume and expression pedal, so I was particularly eager to test it out. Who is this best suited for: The JOYO Multimode Wah/Volume pedal is a great choice for guitarists who need to save space on their pedalboard. It functions to a high level as both a standard volume controller or a wah filter pedal, so if both of these effects are on your wishlist, you can save time and effort with this JOYO offering. What are all these numbers? What is the difference between 250K and 500K? Should I get an active volume pedal or a passive volume pedal? There are several qualities that set the MVP apart from other volume pedals. Firstly, it generously allows the audio signal to be increased up to +20 decibels, which affords exceptional freedom and control over the dynamics. Also, I’d go as far as to say this pedal is basically indestructible thanks to its robust build quality. I also found that the FV-30H is highly capable of creating immersive swells. I was able to do this by combining it with effects like delay or reverb and using the pedal to control the amount of volume that each of the effects can produce. These standout capabilities are rare in volume pedals, especially when you consider the price range of the FV-30H.This is a bit of an open-ended question. “Ambient” implies some sort of time-based effect like reverb and/or delay is involved. My Review: Here at Guitar Lobby, we’re huge fans of Ernie Ball. Perhaps best known for their top-of-the-range selection of guitar and bass strings, they also have a great deal of expertise when it comes to effects pedals. I believe that this is most prominently reflected in their range of volume and expression pedals, which is amongst the most extensive of any manufacturer.

If you’re a beginner looking for your first volume pedal, or you’re an experienced guitar player looking for a new volume pedal, or you simply want to put our knowledge of volume (and expression) pedals to the test, we invite you to read our guide! We put in many, many hours of research, gathered the opinions of multiple experts and play tested several pedals to help you navigate and understand what to look for in a volume pedal, and tell you what we - and many other musicians around the web - think are the best ones. Image My Review: When I think of Boss pedals, the first quality that springs to mind is durability. Their comprehensive range of stompbox effects is, in my experience, amongst the most solidly built on the market. I’d go as far as to say that attribute is one of the most important qualities when discussing volume pedals. When you venture into the territory of having cable runs that exceed 18.5ft, buffered pedals are the most reliable option. Their ability to consistently keep your instrument’s output at a certain dynamic level, and protect its tonal integrity even when extensive cable runs are being used, make them a popular choice for guitarists who have particularly crowded pedalboards. Who is this best suited for: Thanks to its durable built and miniature sizing, the Boss FV30H is the perfect choice for guitarists who have a small setup of pedals. As you’d expect with a Boss pedal, it boasts exemplary robustness and the ability to withstand heavy usage.

What About Expression Pedals?

The reason why I place it between my dirt pedals and the rest is that when you place delay and reverb after the volume pedal, the repetitions and reverb trails aren’t cut off when you are at the heel-down position. This greatly improves the pedal’s performance when playing volume swells and other ambient techniques that rely on long trails. As the Last Pedal on the Signal Chain as a Master Volume Precision and Accuracy:The Ernie Ball VP Jr provides a smooth volume curve that you will adjust yourself to in a matter of minutes. Controlling your volume is easy and seamless, whether you are just making slight adjustments, or doing ambient swells. Inside the pedal, you’ll also find a taper switch that changes the volume reduction rate. Experiment with both modes to see which one adapts better to your playing style. Likewise, modulation-based pedals are also slightly unpredictable. Chorus, phasers, flangers, and octave pedals all cause noticeable alterations to your dynamics, so using a volume pedal to tame them or provide them with a necessary boost is highly useful. The inclusion of two distinctive settings instantly raises the EX-1 above many of its competitors. It’s ideal for situations where you may be using multiple high-gain pedals, and need to keep the sharp increases in volume to a minimum. The Ernie Ball MVP is buffered, which makes it very versatile but also means you'll need to power it. Dedicated tuner output, min volume control, and a gain knob are amongst the stand-out features. The string assembly is a weak point, but nevertheless this is a versatile and affordable volume pedal.