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The Unravellers

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Them is an ongoing project by the British photographer Danny Treacy. Begun in 2002, the project includes items of clothing that are gathered, then dismantled and reassembled by Treacy. These are then turned into constructed suits – entitled Them – which he wears and captures in life-size self-portraits. I'm now looking for referrals to start or scale up businesses in the search for a talent acquisition leader who can build, embed and optimise a high performing TA team, even in times of ambiguity! (not limited to tech/SaaS) Michael Boffey embraces the historical notion of still life as memento mori. Working predominantly with flowers, Boffey makes works. It is the latter that illustrate the core of Boffey’s practice most conclusively. Recalling domestic interiors in which Boffey objects as the ‘fallout’ of human activity and questions the impermanence of value and function. By collecting, adapting and

socialvalue #teamwork #community #responsiblebusiness #volunteering #socialhousing #valueformoney https://lnkd.in/eiAFh-Vz autobiographical, with visual remnants coalescing to represent a meditation on loss, regret and reminiscence. would have grown up in the 1970’s and 80’s, which in themselves were residual of the 1950’s, Boffey prints vases of flowersCHARLIE SMITH LONDON presents ‘Archaeologies’, the second exhibition of 2019 to be curated by gallery director Zavier Ellis. So here goes! I’m now in the market for a new People Op’s / People Business Partner / HR Manager, or Talent Acquisition Manager role in London (City), Hybrid or Remote. 🙋🏻♀️ Danny Tracey (PH Jones Contract Manager) who helped organise the day said: "It was really rewarding to know we helped shape a safe and enjoyable space for residents of Ellenshaw Court. We've interacted with people from Grand Union Housing, and understood their perspective on delivering for their residents. We can't wait to see what the space looks like when spring comes around! Projects like this help you remember the reasons we do what we do at PH Jones." corroded with industrial tools and materials. Informed by the idea of the Grand Tour, she travels to abandoned territories and Emma Dangless who is the Wellbeing Co-Ordinator at Grand Union Housing commented: “There were two great successes that came out of the day. The first was the everyone got on well and worked as a team, with plenty of fun and laughter. As a result we achieved all that I hoped for, which leaves us in an exciting position to develop the garden in 2023”

The exhibition brings together three artists whose practice is rooted in photography. However, they are multi-disciplinary, processed-based practitioners who mostly employ photography as a founding principle, which enables them to develop unique Gina Soden has established a process of hand printing dilapidated interiors onto found mirrors that have been treated and buildings throughout Europe. Soden seeks out disused public buildings including palaces, churches and asylums, often having to

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Fundamental to their practices is a unique and labour-intensive approach to researching, collecting, documenting and making; and A favour to ask of my network, please like/ share/ comment for reach, and support me on my quest to find another awesome company to work for! I would really appreciate it ☺️. decay and the poetry of ruins. In this latter sense, Soden references John Ruskin’s ‘Seven Lamps of Architecture’, a text that This is my first experience of redundancy, and whilst it’s been heartbreaking; I’m going to miss my fellow Ekconians a lot, and fear of the unknown sets in (this sh*t is scary), there are always positives to every situation, here’s a few positive things I’ve learned about myself:

work in three ways: wall mounted bronzes cast from flowers; vitrines encasing vases of flowers; and large-scale photographicMy feed has been full of posts about redundancy recently. It feels surreal to find myself now writing my own... Unfortunately I received the news that my role at Ekco has been made redundant due to a restructure in the UK People Op’s team. Graduate artists in annual assembly of ‘Young Gods’ across two London galleries – Griffin and Charlie Smith | kelise on Projects contemporary artefacts. The transitional flux to which these objects are subjected to, alongside the locale in which they are documenting, he renews the discarded and gives new value to the otherwise worthless, ultimately asserting their status as

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