Cloud Microphones Cloudlifter CL-1

Product Information

Is there a difference between the initial release of the “CL-1” and those that came later or are all the same. I frequently work in Fourth Presbyterian Church which is across the street from the 100 story tall Hancock building. Powered by phantom power from your interface, mixer, or preamp, the CL-1 will clean up phantom power to boost even the most sensitive ribbon microphones, letting you get the very most of them without risking causing any damage to them. The mic activator lets your microphone preamp work more efficiently and provides an ideal solution for common audio problems such as hiss and crackles.

For broadcasting and live sound, the active output signal of the CL-1 can prevent added noise over long cable runs.Then I recorded a short narration, and fine-tuned the RMS levels of the two tracks to ensure identical levels. lacks the instantly-recognizable visual profile of its closest competitors, the Electro-Voice RE20/PL20 and the Shure SM7, and it cannot rival the RE20. Andertons Music Company acts as a credit broker and not a lender and only offers credit products from Secure Trust Bank PLC trading as V12 Retail Finance. Main FeaturesStylish USB microphone with a striking vintage design24 bit / 48kHz recordingFive onboard DSP presets to cover all usesHeadphone outputIncludes a Micro-B-to-USB cable for connection to a.

A Cloudlifter Mic Activator utilizes an active circuit powered by your console or preamp's phantom power to provide as much as +25dB of extra gain, turning even a budget console into a better ribbon preamp. I ran the newly generated MIDI track into EZdrummer, and it worked perfectly, although there was a four-sample delay. If you’re using a dynamic mic with a 16-bit USB mic pre, and you want to maximize your gain staging before bus-powered A-to-D conversion, you need the Cloudlifter. The CL-1 Cloudlifter rescues people with mismatched equipment by using your interface’s phantom power (that +48V button on the front).Considering the megawatt electromagnetic assault coming from across the street the CL-2 performs very well indeed. Features Cloud’s signature active ultra-clean gain - provides up to +25dB of ultra-clean gain in two distinct stages and optimal impedance loading for dynamic and ribbon mics to perform their best. Old post, taking a chance on a reply here… in your opinion, would the Cloudlifter CL1 work well for a guitar/bass if I ran into a DI first (Radial ProDI) and then out from that into the CL? One of the findings from my first review is that the Cloudlifter delivers at least 20dB of gain as clean or cleaner than any of my preamps. Because I want to set up my listening position far from the musicians and stay out of sight during concerts, my typical cable run is 100′ to 150′.